维吉尔（雅利尔·莱斯佩尔饰）每周到监狱看望他的父亲埃内斯特（让-皮埃尔·卡赛尔饰），他父亲以前是拳击手和拳击教练，他每次向父亲叙述他在拳击场上的成绩。维吉尔每周在监狱里遇见玛戈（莱雅·德鲁克饰），她也来看她望的父亲。饶舌笨拙的维吉尔疯狂爱上了玛戈。有一天，埃内斯特向儿子宣布他即将出狱，这给维吉尔出了难题，因为他对父亲说谎，他已经放弃了拳击。他在一名教练朋友的协助下，重返拳坛，而且勤奋锻炼。他同时征服了玛戈，玛戈在感情上封闭，她在感情上有一条很深的伤痕。

一个孤独的女孩生活在一个孤立、薄雾笼罩的农场，面对着一个陌生人的到来所带来的变化。。。

讲述特洛伊战争之后，特洛伊王子埃涅阿斯带着剩下的族人乘船来到意大利，并要面对新的敌人的威胁

Dido and Aeneas的故事情节取自古罗马诗人维吉尔的长诗，以非洲迦太基传说的爱情故事为背景─迦太基女王狄多(Dido)，和特洛伊王子阿尼亚斯(Aeneas)之间产生了一段异国恋情，但是阿尼亚斯身负重任，他必须率领经过希腊人浩劫之后存活下来的特洛伊人，前往意大利重新建立国家，于是阿尼亚斯不得不放下他和狄多女王之间的爱情，继续他的复国计划；由于先前狄多女王已经对阿尼亚斯投入了很深的感情，所以在阿尼亚斯坚持离去之后，专情的狄多女王也只有选择殉情的方式，表达她的悲伤。

A magical journey into the heart of a child. It flows great in a happy mood all the way; not very much action and all these things movies have to content today. Still, for a kid, the antagonist, Orla Frogeater, is intimidating and scary at times. As is the dragon - is it real? It is the best movie for children ever made.

Walter Thompson探長擔任Mr.Winston Churchill保鏢將近18年. 聽這位神秘的保鏢娓娓道來他眼中的丘吉爾.

阿斯利是一位年轻的母亲，生完孩子不久的她努力想要寻找一位保姆，好让自己重返职场。最终她遇到了古尔尼哈尔，同样是一位年轻的母亲。随着古尔尼哈尔走进她的生活，阿斯利开始面对自己一直在逃避的秘密。 　　Asli, a young mother who is trying to find a nanny to get back to work, finally meets young Gulnihal. Gulnihal is also a young mother. With Gulnihal coming into her life, Asli faces her secrets which she has been avoiding herself.

阿斯利是一位年轻的母亲，生完孩子不久的她努力想要寻找一位保姆，好让自己重返职场。最终她遇到了古尔尼哈尔，同样是一位年轻的母亲。随着古尔尼哈尔走进她的生活，阿斯利开始面对自己一直在逃避的秘密。 　　Asli, a young mother who is trying to find a nanny to get back to work, finally meets young Gulnihal. Gulnihal is also a young mother. With Gulnihal coming into her life, Asli faces her secrets which she has been avoiding herself.

A gorgeous woman (Monica Guerritore) finds her husband in bed with a complete stranger. Full of contempt, the woman leaves and embarks on an erotic discovery journey of herself. She meets a cartoonist with whom she plays out all her darkest ... Full Descriptionfantasies. But the love game soon deteriorates as the woman wants to prove her new lover that she can truly cross all the boundaries of perversion. 　　Teetering between softcore scenes (with a related, humorous cartoon) and drama, this routine story features (Monica Guerritore) as a woman who starts an affair with a cartoonist (director Gabriele Lavia) in revenge for her husband's infidelities. Soon after bedding down the cartoonist in a hotel, her personality is transformed -- although she does not grow hair on her body or howl at the moon -- the cartoonist is still in for a very rough time.

During WWII, German films to be used in Germany for propaganda reasons were often intercepted by the Allies and sent to Canada. The National Film Board, under John Grierson, would then use the German footage in Allied propaganda. 　　Churchill's Island, perhaps the most famous of the Western propaganda, extolls the virtues of the Allied cause while using Nazi footage to show the evils of fascism. 　　While this film seems very dated (and with good reason, it's 60 years old), it's still a fascinating look at the use of a relatively new media as a tool of social control. 8/10.